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Titre Tiepolo pink / Roberto Calasso ; translated from the Italian by Alastair McEwen.
Auteur Calasso, Roberto, 1941-
Éditeur New York : Alfred A. Knopf, 2009.
Résultat Titre précédent Titre suivant  
 
Sujet anglais Tiepolo, Giovanni Battista, 1696-1770 -- Criticism and interpretation
Tiepolo, Giovanni Battista, 1696-1770. Capricci
Tiepolo, Giovanni Battista, 1696-1770. Scherzi
Etching -- 18th century
Art, Italian -- 18th century
Sujet français Tiepolo, Giovanni Battista, 1696-1770 -- Critique et interprétation
Tiepolo, Giovanni Battista, 1696-1770. Caprices
Tiepolo, Giovanni Battista, 1696-1770. Plaisanteries
Eau-forte (Gravure) -- 18e siècle
Art italien -- 18e siècle
Description 288 p. : ill. (chiefly col.) ; 22 cm.
Édition 1st American ed.
Note "Originally published in Italy as Il rosa Tiepolo by Adelphi Edizioni, Milan, in 2006"--T.p. verso.
Bibliographie Includes bibliographical references (p. [257]-271) and index.
Résumé "The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Würzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him--but though his contemporaries appreciated and admired him, they failed to understand him. Few have even attempted to tackle Tiepolo's series of thirty-three bizarre and haunting etchings, the Capricci and the Scherzi, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo's art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy--a motley company always on the go. Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue sprezzatura, the art of not seeming artful."--From publisher description.
Titre original Rosa Tiepolo
ISBN 9780307267665 (hbk.)
   
   
 
Bibliothèque Note Cote Statut
 BENNY - Adultes - Documentaires    769.92 T  DISPONIBLE
 
 
 
   
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  Crédit, bandeau Nelligan :
Roseline Granet, Monument à Émile Nelligan (2005).
Square Saint-Louis, arrondissement du Plateau-Mont-Royal, ©Ville de Montréal 2006.